Are you ready for what are sure to be bestsellers coming out in September? Are you aware of how close September actually is (hint: it’s a lot closer than you think)?  Get out your library card and get ready to put holds on these new books from bestselling authors, all of which are coming to The Field Library in a few weeks.

First up is James Patterson (of course) with his latest, Killer Instinct.  It starts with the murder of an Ivy League professor in New York City, which brings out Dr. Dylan Reinhart, an academic expert on the psychology of murder.  He’s reunited with his former partner, Detective Elizabeth Needham, as one of the worst terrorist attacks in New York history hits. Her courageous action brings her to the attention of the violent sociopath behind the attacks, basically putting a target on her back while at the same time Reinhart fears his secret past is going to rise up to haunt him.  Reinhart and Needham race against time to prevent a terrible disaster, facing a psychopath different from anyone they’ve ever encountered before.

When Stephen King publishes a new book, it’s bound to be a hot one, and in his latest, The Institute, King does what he does best: creates a dangerous world with ordinary seeming people capable of horrible things. The Institute of the title is a mysterious building which houses children with special psychic gifts, such as telekinesis and telepathy. The children, like our protagonist, Luke, were kidnapped from their former homes, their parents murdered, so they could be brought to the Institute, where the sinister staff (of course) uses almost inhuman means to extract every bit of the children’s supernatural abilities. The good children, the ones who cooperate and don’t cause trouble, are in Front Half.  The other kids, the bad kids, are sent to Back Half and never seen again. As more and more kids disappear into the Back Half, Luke is desperate to escape, but nobody escapes the Institute. Expect creepiness, nail-biting suspense and all the dark humor you want to find in a Stephen King novel.

A real rarity is a sequel to a book published more than thirty years before, especially when the original book in question is a classic with an ambiguous ending which was kind of the point of the book.  I’m talking, of course, about The Handmaid’s Tale, by Margaret Atwood, which came out in 1985 (thirty four years ago, in case you’re counting).  I can’t say whether the extremely successful television series that’s now starting its fourth season had anything to do with this, or whether current political events were the impetus, but the fact is that this September Margaret Atwood’s sequel to The Handmaid’s Tale, called The Testaments, will be coming out.  Having read the original many times (most recently with the Field Notes Book Group), I have trouble imagining how she could continue the story, and apparently she’s not continuing Offred’s story but providing testimonies from three other residents from GIlead fifteen years after the end of The Handmaid’s Tale.  It will be interesting to see where Atwood sees Gilead developing and what depths she can add to the world, probably different from the way the television series envisions it.  In any case, this is going to be a hot book, so if you want to be one of the early readers, you should put it on hold now.

Get ready for the bestsellers coming out in September: place holds and come on in.



As we move into the dog days of summer when it’s too hot and humid to even want to think about anything, what could be more entertaining than a fast paced thriller that keeps you turning the pages and forgetting everything but what’s happening in the book?  If you’re in the mood for a hot read in hot times, check out the new thrillers available at The Field Library.

City of Windows, by Robert Pobi, has a visceral draw for the deep miseries of summer heat and humidity: it starts in a record-setting blizzard in New York City (there, don’t you feel cooler already?), where an FBI agent is assassinated by a single, seemingly impossible shot: the agent was in a moving SUV, the snow was blowing around enough to blind people, and all evidence is destroyed by the storm.  To solve this amazingly difficult case, the FBI turns to an extraordinary former agent, Lucas Page, a man who has already paid a terrible price for his work and who, with a new family and a new life, wouldn’t ordinarily want anything to do with even the most intriguing case, except that the dead man was Lucas’ partner. The murder Lucas starts investigating is only the first of a series of increasingly unlikely and skilled sniper killings, all targeting law enforcement officers.  Lucas must figure out the identity and motive of this extraordinary shooter before his own family is targeted, as seems more and more likely.

While we’re on the subject of killers who are incredibly difficult to track down, we have the killer in Outfox, by Sandra Brown. A series of wealthy women married men, and then disappeared without a trace, leaving no clues for police to follow and no closure for their friends and families.  The men they married also disappeared completely as if they’d never existed, Our protagonist, FBI agent Drex Easton, is convinced that the women were murdered by a conman sociopath he knows as Weston Graham (one of Graham’s many identities), but every time he comes close to finding Graham, the man slips away into another persona and another identity and Drex is left with nothing.  This time, though, Drex latches on to someone he’s convinced is his nemesis, now using the name of Jasper Fox, now married to a wealthy businesswoman many years younger than he. Drex insinuates himself into the couple’s lives, trying to get closer to Jasper before Jasper can pull his disappearing act with his wife, Talia. Complicating things is Drex’s growing attraction to Talia himself, which gives him yet another reason to want to stop Jasper before he goes too far.

Women in jeopardy and women who are unreliable narrators are common factors in thrillers these days, but The Perfect Wife, by J. P. Delaney, takes those tropes in a slightly different, and decidedly creepy, direction.  Abbie wakes up in a hospital room, groggy and without any memories of who she is or how she got where she is now.  There’s a man in her room claiming to be her husband, telling her all kinds of things about her life: that she had a terrible accident five years before, that she was on the verge of death and it was only a miracle of modern technology that brought her back to life.  He tells her she’s a brilliant artist, a loving mother to their young son and a perfect wife to him. She doesn’t remember any of this, which is scary enough in itself, and as she starts to remember bits and pieces here and there, a lot of what her husband is telling her begins to fall apart, and she finds herself questioning his motives, and even his facts.  What’s really going on? What really happened to her five years ago, and what could the past be that’s so terrible her husband would be spending that much effort to hide it from her?  


Give yourself a break from the heat and humidity and immerse yourself in these new thrillers here at the Field.



Women protagonists are becoming more and more common these days in thrillers, proof of which is three new thrillers at The Field Library, all of which turn on women’s secrets, in very different ways.

Dear Wife, by Kimberly Bell, takes two familiar tropes and brings them together to create suspense.  The one trope is the abused woman leaving her husband and changing her identity; in this case, it’s Beth Murphy, who has been planning her escape for a year, working out all the details of her new life before she actually leaves her abusive husband.  The most important thing in the world for her is to make sure he can’t possibly find her. On the other end of the spectrum is Sabine Hardison, who just disappears altogether while her husband is away on a business trip. The police investigating the matter find only her abandoned car, and some signs of possible foul play, but as they dig deeper, more secrets emerge: evidence there could have been trouble between the husband and wife, and the suggestion that he might be better off without her.  What actually happened to Sabine, and what does her disappearance have to do with Beth’s escape? The two women are more closely connected than they seem at first, and the truth will out, no matter who wants to keep it secret.

Rachel Gaston, the protagonist of Lisa Jackson’s new book, Paranoid, is in a different situation. When she was a teenager, she shot her half brother to death.  It was an accident, she insisted; someone had changed the air gun she thought she was carrying that night for a real weapon and she didn’t realize it until after she’d shot it at Luke when he surprised her. She didn’t mean to kill him, but his death and her role in it has haunted her ever since, ruining her marriage and filling her nights with nightmares.  Now she’s approaching her high school reunion, and naturally she finds herself remembering Luke’s death, but also noticing other strange things around her: objects being moved when she’s not looking, strange cologne wafting through the air, the feeling of being watched, her car being tailed. Is she losing it? Or is the person who was really responsible for Luke’s death still around, still killing, keeping track of her for sinister reasons of his or her own?

Kelley Armstrong’s new thriller, Wherever She Goes, starts with a bang, figuratively: single mother Aubrey Finch sees a little boy being taken away from a public playground against his will. Like any good citizen, she reports this to the police, expecting an immediate response.  Instead, she’s met with skepticism: the child’s mother can’t be found, there was no report of any missing child, and kidnappings are the sorts of crimes people report immediately. People start wondering about Aubrey herself, why she’s insisting on this kidnapping that doesn’t seem to have happened.  She is, after all, a stay at home mother who’s lost custody of her child, which indicates to most people that there must be something seriously wrong with her, and she herself knows she has secrets she’s been keeping from everyone around her, including those nearest and dearest to her. She’s sure about what she witnessed, and she realizes she’s the only person who has any chance of saving that child, but can she act as she should, considering all the skeletons in her closet which could come out and destroy her?

Disappearing women, accidental killers, kidnappings that might or might not be: take your pick and check out the new thrillers while they’re hot.


What if you couldn’t count on your own memory?  What if the things you thought you remembered weren’t actually things that happened to you, or to anyone?  What if other people were also “remembering” things that didn’t happen? What if there were some kind of disease that spread this kind of false memory among people, and what if the disease were contagious?

This is part of the premise for a new, and very different, thriller, Recursion, by Blake Crouch, and what a premise it is!  The two main characters are a police officer and a neurologist, who are working together to save the world, not from an evil corporation or a would-be dictator, but from the unmaking of reality that results from the spread of false memories.

New York Police Officer Barry Sutton is investigating a suicide, which should be straightforward, except for the reason the woman committed suicide: she claimed that her son’s entire existence had been erased.  As Sutton begins to dig into the person’s past, he starts finding evidence of a truly terrifying disease that seems to be planting false memories in people’s minds, driving them insane or worse.

Neuroscientist Helena Smith is acting with only the best motives.  She wants to find a way people can preserve and relive their most precious memories, and she’s been working on technology that will do that.  What could possibly go wrong? If you’ve read any speculative fiction at all, you can imagine the answers to that question.

It begins to seem that memory creates reality in a deep and profound way.  Sutton and Smith find themselves fighting against a force that actually unmakes the past itself, changing everything about the world as we know it, and making it much harder for them to find a way to stop its effects, let alone restore the past and the present.

If you’re interested in a thriller that incorporates speculative fiction and deep philosophical ideas about the nature of reality itself but that’s also a page-turner, you owe it to yourself to check out Recursion.


After a vigorous discussion of American history and the gaps between American ideals and American realities, with impressive insights from those members of the group who didn’t grow up in America, the Field Notes Book Group chose its book for July: Celeste Ng’s Everything I Never Told You.

You might think that a book which starts out telling you one of the main characters is dead would be either morbid or lacking in suspense or both, but in the case of this book, you’d be wrong.  Knowing before the characters do that Lydia is dead creates a Hitchcockian sense of suspense from the outset as we watch her sister and brother and her parents go through their ordinary daily lives, innocent of the event that’s going to shake up their world.

What Ng does best, in my opinion, is character.  This isn’t a book that turns on surprise twists of plot (though when you find out what actually happened to Lydia and how she died, very late in the book, you may be surprised), but on increasingly deeper understanding of the characters and why they do the things they do. The heartbreaking part of the book isn’t so much Lydia’s death (that’s sad but you know it’s happening from the outset) as the way Lydia’s parents never seemed to see her for who she was when she was alive.

As always, we can promise you coffee and donuts (possibly even more snacks) and scintillating discussion, so come and join us at The Field Library to pick up the books, and then join us on July 20 at 11:00 for our next meeting.


Sometimes you just need to read something light and charming to help you deal with the woes of the world, or the miserable weather in a month that should be warm and springlike, and if you’re in that kind of mood, come by The Field Library and check out three of our new books, which will put a smile on your face regardless of the outside world.

Start with The Bride Test, by Helen Hoang.  Hoang is the author of the wildly successful book, The Kiss Quotient, and her new book promises to be as good-hearted and charming as that one. Khai Diep, the hero of the book, is on the autism spectrum.  He believes there’s something wrong with him, that he doesn’t have any feelings, but his family recognizes that he does in fact feel things, he just needs to process his emotions in a different way from most people (and here let’s praise his family for being so sensible about his neurological differences).  His mother takes matters into her own hands and goes back to the Old Country, Vietnam, to find him a bride. There she finds our heroine, Esme Tran, a mixed race young woman who doesn’t feel as if she belongs anywhere. Given the opportunity to go to America, even if it means she has to make a complete stranger fall in love with her, Esme’s eager to take her chances.  Things don’t work out quite the way she expected, though: instead of helping Khai to fall in love with her, she’s starting to fall for him. With the clock ticking and Esme’s time in the United States limited, Khai has to discover that there’s more than one way to feel, and that maybe he’s not as damaged as he always believed.

The “enemies turning into friends, or more than friends” trope is an old and solid one in romantic comedy, but that doesn’t mean it can’t be a lot of fun, and The Unhoneymooners, by Christina Lauren, proves just how entertaining it can be (and hey, these tropes became tropes because they work, right?).  The setup: Olive and Ami are twins, but it seems Ami got all the good luck and Olive got all the bad luck. Olive loses her job, gets involved in inexplicable accidents, and Ami not only gets the nicest guy as her fiancee, but she manages to finance her wedding AND her honeymoon through contest winnings  Olive is used to her bad luck and her sister’s fabulous luck, which even extends to Olive’s pairing with the best man, her enemy, Ethan Thomas (and yes, of course she could choose not to be the maid of honor and then avoid him, but family matters are complicated). But then their relative luck shifts, when everybody at the wedding reception falls ill from food poisoning EXCEPT Olive and Ethan.  The honeymoon is all paid for, and the bride and groom are in no position to take advantage of it, so . . . Olive and Ethan take their places, pretending to be honeymooners to be able to spend a free vacation in Maui. Of course, over the time of the fake honeymoon, Olive begins to enjoy spending time with Ethan, and maybe this un-honeymoon could turn into the beginning of something wonderful.

Or, if world events are making you crazy, try an alternative foreign relations problem in Red, White & Royal Blue, by Casey McQuiston.  In this book, the President of the United States is a woman with a teenage son, Alex, and Alex has a beef with the Crown Prince of England, Harry, to the point where a picture of the two of them mixing it up emerges and almost causes a breach in diplomatic relations.  Cooler heads prevail on both sides, and the handlers of the two young men set up a fake reconciliation between the prince and the First Son. What starts out as fake, however, takes a turn for the real, as Alex gets to know Harry as a person and not just as a figurehead.  The fake friendship becomes a real romance, though a secret one, and the question becomes whether honesty might be the best policy, whether true love really does conquer all, and whether diplomatic relations between Great Britain and the United States can survive a romance between the crown prince of one and the First Son of the other.  And really, isn’t that a much more pleasant foreign relations problem than some of the ones we’re actually dealing with?

So take a break from all the miserable weather and the frustrating world of the daily news, and check out some fun new books from The Field Library.


Steampunk, the subgenre that is usually set in the Victorian era (19th century), using steam powered technology, as if other kinds of motors were never invented.  It can be a lot of fun to read, if you’re interested in alternate histories or you just like the idea of stopping the clock at a particular historical moment and moving forward in a different direction from what actually happened.  The fashions inspired by steampunk are also pretty cool. One problem with the genre, though, is that it does tend to be kind of Euro-centric, often focused on England. If you’re going to reimagine a whole era, you should be aware that there’s more to the world than America and western Europe, and it would be fun to see how these technologies play out in other societies.  If you’re interested in a non-European take on steampunk, let me recommend a new book, The Haunting of Tram Car 015, by P. Djeli Clark.  Set in 1912 Cairo, Egypt, it blends the fun elements of steampunk with Middle Eastern history and mythology.

It starts with our protagonist, Agent Hamed Nasr of the Ministry of Alchemy, Enchantments and Supernatural Entities (don’t you just love the title?  Don’t you just want to hear more about the work this particular ministry does?), meeting an official of the Train Safety and Maintenance organization to discuss the recent haunting of one of the local tram cars.  The car has apparently been noticeably haunted for a while, but things have escalated to the point where its ghost (or whatever the supernatural entity is) has now attacked a female passenger, and now something must be done. Hamed expects that this will be an ordinary exorcism (and frankly, as far as I’m concerned, just watching an exorcism of a tram car would be interesting enough), but of course there are complications that make this a major headache for Hamed and his new partner (don’t all detective stories start with an experienced officer working for the first time with a new partner?), including the nature of the being haunting the tram car (hint: it’s not an ordinary ghost), the presence of suffragists (and not just human women, either) shaking up the foundations of the society.  

Hamed and Onsi, his partner, are charming characters, and the milieu of 1912 Cairo, with its airships and mechanical people, its djinn and other spirits, is a wonderful place in which to spend some time with our protagonists.  If you like steampunk but wish it were a little more diverse, or if you’ve shied away from the genre because you’re not interested in Victorian England, check out The Haunting of Tram Car 015 (and we’re the only library in Westchester County that has it).



I’m sure this isn’t done deliberately by publishers or writers, but it does strike me as interesting that just in time for Mother’s Day, we have two new thrillers, both of which involve mothers and motherhood as a critical element in ratcheting up the suspense.  Whether you’re getting sick of all the sweetness of the usual Mother’s Day tributes or whether you just appreciate a good dark look at something we’re all very familiar with, check out these new thrillers at The Field Library.

One of the hardest things a mother can face is the disappearance of a child, whether that disappearance is due to death or crime or whether the child in question has been in trouble or alienated from his family for a long time before the disappearance.  It must be worse to have to face that grief if your day job is as a psychotherapist, dealing with other people’s painful emotions on a regular basis. That’s the starting situation for Ruth Hartland, the protagonist of A Good Enough Mother, by Bev Thomas.  Ruth’s son, Tom, disappeared a year and a half ago, and while she has no reason to hope he’ll return, she still doesn’t have any kind of closure, and the half life of waiting and almost hoping is draining her.  So probably it’s not a great idea for her to treat her new patient, Dan, who looks strikingly like Tom and reminds Ruth in dangerous ways of her lost and damaged son, but Ruth does anyway, setting herself up for a professional and personal nightmare.

Those first days and weeks of motherhood can be really stressful for a family and especially for a mother who’s just given birth.  So it’s natural enough that a new mother like Lauren Tranter would be utterly exhausted and maybe having irrational thoughts in Little Darlings by Melanie Golding.  When she tells people that she saw someone in her hospital room trying to steal her newborn twins and replace them with other babies, nobody believes her, even her doctor.  But a month later, the twins disappear from her side at a park, and when they’re found, she’s convinced they aren’t really her children. Again, nobody believes her, attributing her wild talk to the stress she’s suffering, but Lauren is convinced, and she intends to get her real children back.  The concept of stolen babies replaced with changelings is a very old one, with deep roots; it was explored in a terrifying and enthralling way in The Changeling, this year’s Fantasy Award winner (reviewed here).  If Little Darlings is half as creepy and disturbing as that book, it’s going to be a fun Mother’s Day read (for certain definitions of “fun”).

Celebrate Mother’s Day by contemplating the worst that can happen to mothers.  Come in and check out our new thrillers.


What’s the point of having tropes in a genre if you can’t have some fun with them?  And by “fun”, sometimes I mean “turning the trope on its head to bring it to new and terrible life.”  Case in point, the classic haunted house story, given a ferocious twist in Jennifer McMahon’s new book, The Invited.

We all know how a haunted house story goes: someone innocent and naive moves into an old house, looking for comfort and change.  Maybe it’s city people moving to the country to try to simplify their lives, maybe it’s newlyweds or a new family looking for a nice place to live that’s not too expensive.  The house in question turns out to have been built on a graveyard, or to be the scene of some horrible murder or murders in the past, and the newcomers are terrorized by the ghosts resident in the house. There have been quirky versions of this trope (for my money, one of the best is We Have Always Lived in the Castle by Shirley Jackson; if you haven’t read that book, check it out immediately), but the basic outlines of the haunted house story are familiar to us all.

Helen and Nate, the couple at the center of The Invited, move from the suburbs to purchase 44 acres of rural land in Vermont.  There, they plan to build their ultimate dream house, so they can live a simpler, more authentic, life. However, the land comes with a violent past.  Back in 1924, a young woman, Hattie Breckenridge, was hanged by a mob for a crime that was actually committed by her daughter. When Helen finds out about this, she’s fascinated.  As a former history teacher, she wants to learn more about the Breckenridges and their lives and deaths, and as she starts digging (figuratively speaking), she starts adding historical artifacts to the house she and her husband are building: bricks from an old mill, a beam from a former schoolhouse, and the like.  Hattie, it turns out, was only the first of three generations of Breckenridge women who died under suspicious circumstances, as Helen discovers. In the meantime, between her obsession with the past and the pieces of that past she’s incorporating into her new house, Helen and Nate are building a haunted house, where the Breckenridge women still seem to be seeking something necessary and dangerous. Of course, they don’t realize what they’ve done until it’s too late . . .

Find out what happens when you inadvertently invite damaged and frightening spirits into your dream house, in The Invited.



Ian McEwan can always be counted on to write something interesting, whether he’s playing in the worlds of historical fiction (Atonement), or modern “problem” dramas (The Children Act).  Not content to stay in one genre, he has now turned his hand to speculative fiction in his newest book, Machines Like Me.

The trope of the person creating his or her ideal human being is an old one, going back to Greek mythology, through G. Bernard Shaw’s Pygmalion and the musical My Fair Lady to the recent Under the Table.  The trope of robots becoming more and more human also has a long and fascinating history, from Isaac Asimov through Philip K. Dick (Do Androids Dream of Electric Sheep, the basis for the movie Blade Runner), through the award winning Murderbot series by Martha Wells.  Now McEwan combines the two for a look at how humanlike robots could really complicate human lives.

McEwan starts with England in an alternate history 1980’s.  Great Britain lost the Falklands War, Margaret Thatcher is fighting for her political life, and Alan Turing, not a martyr to homophobia, makes a breakthrough in artificial intelligence.  In this world, Charlie, our protagonist (and a bit of a loser in general), spends his inheritance to purchase an Adam, a synthetic human being and the most up to date kind of robot. Charlie and his younger girlfriend, Miranda, design Adam’s personality to make him into the ideal person.

Naturally this goes wrong.  There wouldn’t be a story if it didn’t. One of the first things Adam does is fall in love with Miranda.  And, since Adam is physically perfect (and Charlie, like most of us human beings, is not), Miranda finds him attractive and has an affair with him, much to Charlie’s dismay.  Adam begins writing haikus to express his feelings for Miranda. Does he have “feelings” the way human beings do?

Charlie meets with his hero, Alan Turing (a tantalizing vision of what he might have been able to do if he’d taken the jail time instead of the chemical castration for his “unnatural acts” conviction, what he might have done if he’d had more time), and discovers that the robots like Adam (and Eve) are starting to commit suicide, raising questions of why the most highly developed artificial intelligence in the world can’t seem to live with human beings.

A provocative book that raises more questions than it answers, Machines Like Me is a speculative fiction book to give to people who think they don’t like speculative fiction.