What’s up with all the dystopian novels this year? Not only people like Stephen King (and let’s face it, you expect Stephen King to come up with dark views of the world), but writers who are not known for writing dystopias are coming out with their own versions. Cases in point: both Louise Erdrich and Nora Roberts have new books out which deal with the end of the world as we know it.
Future Home of the Living God is not your typical Louise Erdrich book. Instead of writing about the present (as in The Round House or A Plague of Doves or LaRose), she sets this book in the near, but undetermined, future, and instead of writing about issues of revenge and justice, she’s writing about issues of reproductive freedom and repression (though, to be fair, those issues are related to her usual concerns). The cataclysm in this case is a massive biological disaster that’s causing women to give birth to increasingly primitive versions of human beings, and in the wake of this “reverse evolution”, society begins to fall apart. The protagonist, Cedar Hawk Songmaker, was adopted in infancy by a loving Minnesota couple, but when she becomes pregnant (with all the stories of disastrous pregnancies and government attempts to confine and monitor pregnant women), she sets out to find her birth mother, an Ojibwe woman living on a reservation. All around Cedar, the world is falling apart: her adoptive parents disappear without a trace, families are torn apart, pregnant women are being required to register and rewards are offered for people turning in recalcitrant mothers-to-be. With the end of humanity in sight, Cedar has to take extraordinary measures to keep herself and her baby safe.
Nora Roberts turns her hand to the end of the world as well in her newest book, Year One. In this case, a disease wiped out half of humanity, and all the usual structures of society failed as well: the electrical grid sputtered, governments collapsed, science and technology no longer worked as they had in the past. In the new chaos, magick arises, both in the form of witchcraft practiced by Lana Bingham, living with her lover in a loft in a wrecked New York City, and in more sinister forms of power which can lurk anywhere. Lara and her lover leave New York and head west, along with a disparate group of other survivors: a tech genius living in a non-digital world, a former journalist who no longer has an audience or a medium, a doctor and a paramedic and the woman and children in their care. Those who are immune to the disease are considered dangerous, and those who show abnormal gifts are also considered dangerous, so this small group is doubly at risk, from what remains of authority and from those who have acquired powers they’re using for evil rather than good. Warning: this is the first book in a trilogy. While Nora Roberts is good about finishing her multiple book sets, those who want to follow my rule of thumb about multiple book series (i.e., don’t start them until the last one has come out) might want to wait for the rest of the series. Otherwise, if you’re a Nora Roberts fan, you’ll find plenty to enjoy (in a dark way) in Year One.