A couple of new mysteries/thrillers explore the question of what we really know about the people closest to us, the people who, for better or worse, shaped us: our parents. In Allison Brennan’s new book, Abandoned, as well as in Caz Frear’s Sweet Little Lies, adult children are brought face to face with the lies and deceptions of their parents (a mother in one case, a father in the other), and have to use their professional skills to get to the bottom of the biggest mysteries of their pasts.
Maxine Revere, the protagonist of Abandoned, has built a career for herself as an author and the host of a true crime television show involving investigations of cold cases. She’s very successful, but there’s one mystery that’s haunted her all her life: what happened to her mother, Martha, who dropped her off with her grandmother when Max was 9 and then never returned? For six years, her mother would keep in sporadic touch, mostly with a postcard around Max’s birthday, but then she stopped the postcards, stopped taking her allowance from her trust fund, and disappeared off the face of the earth. Seven years later, she was officially declared dead, but no body was found, and Max never felt any real closure. So when she finds information about a car her mother was using that was found, abandoned, shortly after all communications from her mother ceased, Max sets out to investigate, using all the skills she’s honed in her professional career. She knew her mother had been involved with one Jimmy Truman, a con man, and that Martha had been joining in his grifts and cons with great pleasure. Could one of those cons have turned deadly? Max starts asking questions and digging into the records of this town in the Chesapeake Bay area where the car had been found, and where Jimmy Truman’s brother is still living. The brother is a man of substance, married with children and a good reputation, and he is not interested at all in digging up anything about his disreputable brother or his brother’s girlfriend. The F.B.I., however, seems interested in this very old case, and Max joins forces with the FBI agent to find out what, exactly, happened to Martha and why.
Cat Kinsella, the London policewoman who’s the protagonist of Sweet Little Lies, is estranged from her father, who’s running a pub in London. She starts investigating the murder of a young housewife who was strangled not far from her father’s pub, and is deeply disturbed to receive an anonymous message linking this murder to the disappearance of a young woman in Ireland 18 years before. That particular disappearance has haunted Cat for years. She met the victim, Maryanne, with her family just before Maryanne’s disappearance, and even though her father swore he’d never met the girl or knew anything about the disappearance, Cat knew he was lying at the time. Charming and dissolute, her father was not a man to be trusted, and Cat learned that when she was quite young. But there’s a big difference between being a liar and a philanderer and being a murderer, and now that the old case has been brought back to her attention, Cat feels she has to find out, once and for all, whether her father might have murdered Maryanne, and might have murdered this victim as well. Digging into the past is always a dangerous endeavor, especially when you have some reason to suspect you’re going to find a buried crime in your digging, but it’s worse when you’re a police officer. Cat throws ethics and rules to the wind in her eagerness, her desperation, to discover what really happened in both these cases, though she may not be happy with what she ends up discovering.