When you’re talking about fantasy books, whether high or low fantasy, odds are you’re going to be talking about magic in one form or another. Those of us who have been reading fantasy for a long time are familiar with the more obvious ways magic gets used in those books (you don’t even have to be much of a fantasy reader to be aware of how magic usually works; it’s one of those concepts that’s part of the culture, through fairy tales and Disney and the influence of The Lord of the Rings and the like). So it’s kind of refreshing when writers come up with new twists on how magic works and is used. Two new fantasy novels here at The Field Library have their own interesting versions of magic, for those of us looking for something new.
Spellbreaker, by Charlie Holmberg, starts with the idea that there are two kinds of magic users: the ones who make spells, and the ones who break them. The world of Spellbreaker is a stratified one, with aristocrats in power and common people in need. Our protagonist, Elsie, is a spellbreaker, but an unlicensed one, who is therefore unable to use her gift legally. This doesn’t stop her from joining the Robin-Hood-like group, the Cowls, and using her spellbreaking skills to help ordinary people. One day she’s caught by Bacchus, a wizard who’s on the verge of achieving master status, as she’s trying to break one of his spells. She strikes a bargain with him: he won’t tell on her and she’ll help him by breaking the bad spells around him. Things get complicated in the world around them: wizards are getting murdered, and their spellbooks are disappearing, and there’s an air of menace surrounding Elsie and Bacchus as she attempts to figure out how to handle her magical gift, discover her past, figure out her relationship with Bacchus and keep the world from being destroyed.
The other book brings magic together with labor unrest, a topic near and dear to my heart. The Factory Witches of Lowell, by C. S. Malerich, is set in 19th century Lowell, Massachusetts, when the first “mill girls” who operated weaving and spinning machinery to create the first Industrial Revolution in America. This is pure fact, and the whole Lowell System, where women were hired because they could be paid less than men (some things don’t change), and where they lived in company-provided housing and were required to adhere to the company’s “morals” standards, is an aspect of American history few people know about, any more than they know about the strikes and labor unrest of these mill girls. In The Factory Witches of Lowell, the company raises the rent but not the wages, and the girls decide to go on strike. But one of their number, Judith Whittier, has been through strikes before and knows how easily they can be broken, so she gets a little help keeping the strikers from abandoning the picket line. A friend of hers in the boarding house happens to know some witchcraft, and is willing to use it to protect the workers. Frankly, the idea of putting witches and mill girls together is such a brilliant one I can hardly believe it hasn’t been tried before. Mixing magic with the all too dark facts of early American industrial history is a potent combination.
So if you’re tired of the same old wizards and their same old spells and complications, give these two books a try, and take a different angle on magic in fantasy.